Written by one of American theater’s most avid and knowledgeable proponents, No Legs, No Jokes, No Chance traces the American musical from its rich and varied beginnings in European opera, American minstrel shows, and vaudeville through its many permutations to its current state–from, as Sheldon Patinkin puts it, La Boheme to Rent. Minstrelsy, burlesque, revue, [...]
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